The Director of the Arts Administration program at Boston University and of the Museum of Contemporary Cuts, Lanfranco Aceti is proud to announce, Sound Politics,to be performed at the Boston Athenaeum, September 30, 2016, from 12:00 pm to 1:00 pm. Sound Politics is a curated project that includes two performances, Duty and Untitled for Cyborg String Quartet, by Australian artist Michaela Davies.
These pieces explore the application of electric muscle stimulation (EMS) to musical composition and performance. MIDI compositions created by the artist are used to trigger custom-built EMS devices that send electrical impulses to performers’ muscles. These impulses generate specific involuntary movements, causing the performers to ‘play’ their instruments.
The performances explore the complexities of contemporary living in an ‘electrified’ and ‘engineered’ age where the will of the people appears to be determined by involuntary reactions to electronically mediated stimuli.
Category: performance
Fibre Culture Journal, Issue 28: Creative Robotics
Game On: A Creative Enquiry into Agency and the Nature of Cognition in Distributed Systems
Michaela Davies
Abstract: Game On is a participatory installation where people use joysticks to control the movement of two (human) boxers via a MIDI-controlled electric muscle stimulation device. This device sends electrical impulses to specific muscle points on the boxers via electrodes connected to their arms, causing each boxer to punch their opponent involuntarily. The work is a creative enquiry into the nature of agency within a system where cognition is distributed across people, objects and environment through technologies of connection. Game On explores what happens in a system where embodied experience and sense of agency is disrupted or extended, and the implications for locating a responsible agent within this system.